Cruiskeen
Lawn, a column for the Irish Times, as it was illegal to publish work
under the same name as one appeared as a Civil Servant. O’Brien (as
I will refer to him for the remainder of this paper when speaking in general),
however, required no obligation to put on names for his own bemused mischief.
As a student at University College Dublin, he assumed the name Brother
Barnabas in order to heckle anything that struck his fancy. His letters
were a regular submission to the college paper Comhthrom Féinne
(again, forgive me) as they attempted to rile even the president of the
college. Speaking and writing more accomplished Gaelic than even
his professors at times, O’Brien had little difficulty joking his way to
notoriety.
Nearing the end of his time at UCD, he and a friend, Niall Sheridan, published
several issues of a magazine they wrote and illustrated called Blather.
The endeavor was more of the same as was in the college paper: they chose
public figures and the Irish situation as targets for harassment.
The magazine was not popular, nor was it successful. Soon his friends
put a cap on their loans and the magazine was lost.
Adolf Hitler took serious exception to it and in fact loathed it so much that he started World War II in order to torpedo it. In a grim Irony that is not without charm, the book survived the war while Hitler did not (“Cruiskeen Lawn,” February 4, 1965, 4).
With a humorous comment, O’Brien
wisps away the failure of his book, as he would an insect; however,
O’Brien reacted poorly to failure. In 1941, when his manuscript for
The Third Policeman was rejected by Longman’s in London, he developed a
catalogue of scenarios for his friends in which the manuscript was either
lost or destroyed. He actually saved the manuscript throughout his
life, and it was published after his death. In 1941 he did succeed
in publishing a book, though in Gaelic. An
Beal Bocht (The Poor Mouth) exists as a hilarious satire of the
Gaelic League, who used the language primarily as a political rallying
point. This book was followed by a long lapse of novel writing.
In 1961, O’Brien published The Hard Life: An Exegesis of Squalor,
and became disappointed at its failure to be banned, a trait befalling
all great Irish literature due to stiff censorship laws of the new republic.
In 1964 O’Brien published his final book, The Dalkey
Archive, which sadly ransacks the brilliant material in The
Third Policeman.
Between writing for the Times
and other publications, writing novels, and writing plays, O’Brien turned
occasionally in the 60s to writing for television and
radio. Most of these remain unpublished in the Rare Book Room
of the Morris Library in Carbondale, IL.
O’Brien worked at the Times nearly
until his death in Dublin on April Fool’s Day, 1966.