Seminar in the Novel: British (ENGL 332)
Spring 2006
Jackson Hall 107
MWF 9-9:50
David Havird
dhavird@centenary.edu 
Office: JH 311, 869-5085 
Office Hours: MW 1-2, TTh 2-3, and by appointment
Syllabus

Required Texts
  • Dickens, Charles.  Great Expectations.  Penguin, 2002.  ISBN: 0141439564.
  • Eagleton, Terry.  English Novel: An Introduction.  Blackwell, 2004.  ISBN: 1405117079.
  • Eliot, George.  The Mill on the Floss.  Penguin, 2003.  ISBN: 0141439629.
  • Fielding, Henry.  Joseph Andrews and Shamela.  Penguin, 1999.  ISBN: 0140433864.
  • Forster, E. M.  A Passage to India.  Harvest Books, 1965.  ISBN: 0156711427.
  • Joyce, James.  A Portrait of the Artist as a Young Man.  Penguin, 2003.  ISBN: 0142437344.
  • Spark, Muriel.  The Prime of Miss Jean Brodie.  Harper Perennial, 1999.  ISBN: 0060931736.


Course Description and Goals

Catalogue Description: A study of the novel with particular attention to historical and artistic influences. May emphasize either British or American traditions. May be elected for up to six hours credit as topic changes.

The aims of our course are: 

  • To acquaint you with the novel as a genre,
  • To survey the history of the British novel, and
  • To further develop your analytical and rhetorical skills.
We'll accomplish these aims through the study of representative novels of the 18th, 19th, and 20th centuries.  In addition to reading the novels, we'll discuss them in class, and you will write a series of reflections (350 words apiece)--one reflection per novel (except for The Prime of Miss Jean Brodie)--and a comprehensive essay (2500 words) due at the end of the semester.


Requirements and Grading
  • Active Participation (20%).  You'll be participating actively in this course if you attend class regularly (missing only for official, College-sponsored activities or for emergencies), meet all deadlines, and demonstrate your engagement in the course by contributing valuably to in-class discussions and by scoring consistently well on reading quizzes.  It is unlikely that you will receive full credit for participation if you miss more than two weeks of class.  It is the Department's policy that anyone missing more than three weeks of class (nine classes) for any reason will fail the course.  Understand that the Department does not distinguish between excused and unexcused absences.  Reading quizzes will come, if they do, at the beginning of the period.  If you are late for class, you will miss the quiz.  You may make up a reading quiz only if you are absent because of required participation in a College-sponsored off-campus event, and then you may submit on the day of your return to class 10 objective questions and answers about the assignment that was due when you were absent.
  • Five Short Essays (50%).  A 350-word reflection on each of our novels (except for The Prime of Miss Jean Brodie) is due at the completion of our study of each novel.
  • Long Essay (30%).  A 2500-word comprehensive essay--an essay that harvests the shorter ones (and includes a brief consideration of The Prime of Miss Jean Brodie) and draws on the critical commentaries of Eagleton and others--is due Friday, April 28.
Summary of Grading
A=90-100; B=80-89; C=70-79; D=60-69; F=0-59
  • Active Participation (20%)
  • Five Short Essays (50%)
  • Long Essay (30%)


Calendar of Assignments
(January 8--subject to revision)
 
Week 1 (January 9-13)
Eagleton, "What Is a Novel?" (1-21)
No meeting Friday
Week 2 (January 16-20)
No meeting Monday
Fielding, Joseph Andrews
Week 3 (January 23-27)
Joseph Andrews
Essay on Joseph Andrews due Friday
Week 4 (January 30-February 3)
Dickens, Great Expectations
Week 5 (February 6-10)
Great Expectations
Week 6 (February 13-17)
Great Expectations
Eliot, The Mill on the Floss
Essay on Great Expectations due Friday
Week 7 (February 20-24)
Eliot, The Mill on the Floss
Mardi Gras Break (February 27-March 3)
Week 8 (March 6-10)
The Mill on the Floss
Essay on The Mill on the Floss due Friday
Week 9 (March 13-17)
Joyce, A Portrait of the Artist as a Young Man
Week 10 (March 20-24)
A Portrait of the Artist as a Young Man
Essay on A Portrait of the Artist as a Young Man due Friday
Week 11 (March 27-31)
Forster, A Passage to India
Week 12 (April 3-7)
A Passage to India
Week 13 (April 10-12)
Spark, The Prime of Miss Jean Brodie
No meeting Friday (Easter Recess)
Week 14 (April 19-21)
No meeting Monday (Easter Recess)
The Prime of Miss Jean Brodie
Week 15 (April 24-26)
Preparation Week
Comprehensive essay due Friday, April 28