English 368--History
of
Film, Part I:
From the 1890s to 1939
Fall 2006
English Department
Centenary College of Louisiana
304 Jackson Hall
Tu/Th 2:00-5:00
Instructor: Jefferson Hendricks
Office: 307D Jackson Hall
Office hours: Mon 1:30--4:00; 1:15-1:50 T/TH and by appt.
Office ph.: 869-5086 /5254
Email: jhendric@centenary.edu
Texts:
Course Objectives:
Film History I is
designed to enable you:
- to gain a working knowledge of early film
history,
from the silent cinema through the 1930s;
- to develop your cinematic literacy--in
other words,
to teach you to recognize and use the basic technical and critical
vocabulary
of motion pictures;
- to understand how the technology of the
cinema relates
to film art;
- to understand the place of "Hollywood" in
world film
culture;
- to grasp the role of genre in American film
history,
and to recognize how some of the most popular genres express American
social
and cultural tensions;
- to question your own role as a passive
spectator,
and to increase your ability to watch films actively and critically; and
- to improve your ability to write critically
and analytically about film as art and social practice.
Course Requirements:
- two 1000-word essays
- a take-home mid-term exam
- an in-class final exam
Grading:
| Work
Ethic
30% |
Critical essays
40% |
| Mid-term and Final 30% |
|
Here are some models of essays that might help you write about
certain
topics. You are expected to write two out-of-class 1000-word
essays
(about 4-5 typed pages).
Your writing should engage with the
conversation of other knowledgeable critics/scholars wrestling with
your
subject. You should consult both printed and online
sources in writing your essays. Further information about these essays
will be given in class. You will be allowed to revise as many
times as you'd like before the essay is due. I will be glad to
meet with you during office hours to review any drafts that you'd like
to submit for comments.
- an essay focusing on a
particular
actor: Manohla
Dargis, "Ghost in the Machine," Sight and Sound, July
2000
[on Tom Cruise]
- an essay focusing on a specific
film: José
Arroyo, "How Do You Solve a Problem Like Von Trier?", Sight and
Sound,
Sept., 2000 [on Von Trier's Dancer in the Dark]
- an essay focusing on a genre and
several films : Danny
Leigh, "Get Smarter," Sight and Sound, June, 2000
[on the contemporary British gangster film]
- an essay focusing on a director and
several films: Philip
Kemp, "Ants in His Pants," Sight and Sound, May, 2000
[on Preston Sturges]
- an essay focusing on a theme in
several films: David Thomson, "The Last Frontier," Sight and Sound, February, 2004 [on racial tensions in the Western]
Attendance and class participation:
To be successful in this class
you need to be in
class (on time, naturally) and prepared to listen, observe, and talk intelligently and passionately.
More than two absences will lower your "work ethic" grade. You may make up for absences and tardiness,
and also obtain extra credit, by writing 250-350 word reviews of approved
out-of-class
films.
General On-Line Resources for Film
History Before WWII:
Nota
bene: Not all web sites are created equally. Learn to
evaluate
them as you would more traditional print resources. The following
guide from Cornell University is a good initial step in that
direction:
"How
to Critically Analyze Information Sources."
English
368:
Course Schedule
Week One -- Aug 22 and 24:
"Introduction:
Reading Classical Hollywood Cinema"
Film:
- Tu Aug 22: Introduction to Policies and Procedure; The Lumière Brothers;
Georges
Méliès; Thomas Edison
Readings:
- Belton:
- "Introduction"; "The
Emergence of the Cinema as An Institution,"
pp. 3-21.
- WC:
- Geoffrey Nowell-Smith, "General Introduction," pp. XIX-XXII and "Introduction" [to "Silent Cinema"], pp. 3-5.
- Paolo Cherchiusai, "Origins and Survival," pp. 6-13.
- Roberta Pearson, "Early Cinema, pp. 13-23.
- David Gardner, "Judy Garland," pp. 226-227.
- FS:
- Richard Dyer, "Introduction to Film Studies," pp. 3-10.
- Tom Gunning, "Early American Film," pp. 255-271.
Background Readings:
Week Two -- Aug 29 and Aug 31:
"D.W. Griffith, Buster Keaton, and the Rise of Classical Hollywood Cinema"
Film:
Readings:
- Belton:
- "Classical Hollywood
Narration," pp.
22-44; "Silent Film Melodrama,"
pp. 131-149.
- WC:
- Roberta Pearson, "Transitional Cinema," pp. 23-32.
- Roberta Pearson, "D. W. Griffith," pp. 30-31.
- Philip Kemp, "Lilian Gish and Dorothy Gish," pp. 40-41.
- Douglas Gomery, "The Hollywood Studio System," pp. 43-53.
- Ruth Vasey, "The World-Wide Spread of Cinema," pp. 53-62.
- William Urrichio, "The First World War and the Crisis in Europe," pp. 62-70.
- Geoffrey Nowell-Smith, "Buster Keaton," pp. 80-81.
- FS:
- Paul McDonald, "Film Acting," pp. 30-35.
Background Readings:
- D. W. Griffith -- Wikipedia
- D. W. Griffith -- John Steinle, Senses of Cinema
- D. W. Griffith -- Russell Merritt, Film Reference.com
- "D.W.
Griffith and the Origins of American Cinema" -- The Bill
Douglas
Centre
- Bibliography
on D. W. Griffith -- U. of California, Berkeley Library
- Broken
Blossoms- -- Tim Dirks, Greatest Films
- Broken
Blossoms -- Roger Ebert, Chicago Sun-Times
- Broken Blossoms -- Wikipedia
- Broken Blossoms -- Russell Merritt, Film Reference.com
- "Artful
Racism and Artful Rape in Broken
Blossoms" -- Julia LeSage, Jump Cut
- Buster Keaton -- Wikipedia
- Buster
Keaton -- Dan Callahan, Senses of Cinema
- Buster Keaton -- Gerald Mast, Film Reference.com
- The General -- Roger Ebert, Chicago Sun-Times
- The General -- Tim Dirks, Greatest Films
- The General -- Joseph Milicia, Film Reference.com
- notes on The General -- Ranjit Sandhu
- The
General -- All Movie Guide
- "The Narrative-Machine: Buster Keaton's Cinematic Comedy, Deleuze's Recursion Function and the Operational Aesthetic" -- Lisa Trahair, Senses of Cinema
- The
International
Buster Keaton Society homepage
- Buster
Keaton: A Selected Bibliography of Materials in the UC Berkeley Library
Week Three -- Sept 5 and 7:
"Hollywood in the Twenties: Drama and Comedy"
Film:
- Tu Sept 5: Sunrise
(USA, 1927; Dir. F. W. Murnau)
- Th Sept 7: City
Lights (USA,
1931; Dir. Charlie
Chaplin)
Readings:
- Belton:
- "Classical Hollywood Cinema: Style," pp. 45-65.
- WC:
- David Robinson, "Comedy," pp. 78-86.
- David Robinson, "Charlie Chaplin," pp. 84-85.
- Janet Bergstrom, "Friedrich Wilhelm Murnau," pp. 146-147.
- Geoffrey Nowell-Smith, "The Heyday of the Silents," pp. 192-204.
- FS:
- Robert Kolker, "The Film Text and Film Form," pp. 11-23.
- Douglas Kellner, "Hollywood Film and Society," pp. 354-362.
- Robert B. Ray, "Hollywood and Ideology," from A Certain Tendency of the Hollywood Cinema, 1930-1980, pp. 363-364.
Background Readings:
- Sunrise -- Tim Dirks, Greatest Films
- Sunrise -- Roger Ebert, Chicago Sun-Times
- Sunrise -- Rodney Farnsworth, Film Reference.com
- Sunrise -- John Nesbit, Toxic Universe.com
- "Through a Looking Glass" [on Sunrise] -- J. Hoberman, Village Voice
- Friedrich Wilhem Murnau -- Wikipedia
- F. W. Murnau -- DeWitt Bodeen, Film Reference.com
- Web of Murnau -- Tim Akre
- City
Lights -- Tim Dirks, Greatest Films
- City Lights -- Roger Ebert, Chicago Sun-Times
- City Lights -- DeWitt Bodeen, Film Reference.com
- Charlie Chaplin -- Gerald Mast, Film Reference.com
- "The
Talkie and the Tramp: Charlie Chaplin Stays Silent in the Machine
Age"
- "Chaplin's
Film Heroines" -- Stephen M. Weissman
- What
Made Charlie Run? -- Stephen M. Weissman
- "Chaplin's,
The Kid" -- Stephen M. Weissman
- Charlie
Chaplin: A Bibliography of Materials in the UC Berkeley Library
Week Four -- Sept 12 and 14:
"German Expressionist Film
of the Twenties"
Film:
Readings:
- WC:
- Thomas Elsaesser, "Germany: The Weimar Years," pp. 136-151.
- Hans-Michael Bock, "Erich Pommer," p. 145.
- Martin Marks, "Music and the Silent Film," pp. 183-192.
- Janet Bergstrom, "Fritz Lang," pp. 196-197.
- FS:
- Anthony Easthope, "Classic Film Theory and Semiotics," pp. 51-57.
Background Readings:
- Fritz
Lang's Metropolis
- Metropolis -- Roger Ebert, Chicago
Sun-Times
- Metropolis -- B. Urgosíková, Film Reference.com
- "The Star on Rotwang's Door: Turning Kracauer on Its Head -- An Analysis of Fritz Lang's Metropolis" -- Peter Dolgenos, Journal of Popular Film and Television
- "Science Fiction Films" -- Tim Dirks, Greatest Films
- M
-- Roger Ebert, Chicago
Sun-Times
- M -- Catherine Henry, Film Reference.com
- "Fascinating
Rhythms" (a review of M) -- Jonathan Rosenbaum
- Fritz
Lang -- Daniel Shaw,
Senses of Cinema
- Fritz Lang -- Charles L. P. Silet, Film Reference.com
- Fritz
Lang:
Master of Darkness -- British Film Institute
- a Fritz
Lang page
- Peter Lorre -- Philip Kemp, Film Reference.com
- "Expressionism
and Caligarisme" -- Bouton Jones
- The
German-Hollywood Connection
- German
Cinema: A Selected Bibliography of Materials in the UC, Berkeley Library
Week Five -- Sept 19 and 21:
"Radical Politics,
Modernist
Style: Silent Film from the Soviet Union"
Film:
Readings:
- WC:
- Yuri Tsivian, "Pre-Revolutionary Russia," pp. 159-162.
- Natalia Nussinova, "The Soviet Union and the Russian Emigres," pp. 162-174.
- David Bordwell, "Sergei Eisenstein," pp. 168-169.
- Yuri Tsivian, "Dziga Vertov," pp. 92-93.
- Vance Kepley, "Alexander Dovzhenko," pp. 394-395.
- FS:
- Ian Christie, "Formalism and Neo-Formalism," pp. 58-64.
- Viktor Shklovsky, from "Poetry and Prose in Cinema," pp. 65-66.
Background Readings:
- Sergei
Eisenstein -- Dan Shaw, Senses of Cinema
- Sergei Eisenstein -- Richard Taylor, Film Reference.com
- Sergei Eisenstein -- All Movie Guide
- Eisenstein
page -- Gregg Severson, Carleton College
(with essay "Historical
Narrative in The Battleship Potemkin" )
- Battleship Potemkin -- Helen Grace, Senses of Cinema
- Battleship Potemkin -- Clyde Kelly Dunagan, Film Reference.com
- Edward Tisse -- Marie Saeli, Film Reference.com
- Dziga
Vertov -- Jonathan Dawson, Senses of Cinema
- Dziga Vertov -- Erik Barnouw, Film Reference.com
- Dziga Vertov -- Wikipedia
- Dziga
Vertov -- All
Movie Guide
- Man With a Movie Camera -- Wikipedia
- Man With a Movie Camera -- Grant Tracey, Images Journal
- Man With The Movie Camera -- Sharon Lee, Film Reference.com
- notes on Man With a Movie Camera -- Glen Johnson, Catholic U.
- "Dziga Vertov and the Film of Money" -- Jonathan Beller, Boundary 2
- "Presenting
the Cyborg's Futurist Past: An Analysis of Dziga Vertov's Kino-Eye"
-- Joseph Christopher Schaub, U. of Maryland
- "The Machine Art of Dziga Vertov and Busby Berkeley" -- Nicole Armour, Images Journal
- Alexander
Dovzhenko -- All
Movie Guide
- "Cinematic
Poetry of Alexander Dovzhenko" -- Olga Bobrova
- "The Soviet Avant Garde" -- Craig Fisher, Images Journal
- Eastern European Cinema: A Bibliography of Materials in the UC Berkeley Library
Week Six -- Sept 26 and 28:
"Modernism and Film: From the Avant Garde to Animation"
Film:
- Tu Sept 26: Un Chien Andalou; L'Age D'Or;
Readings:
- WC:
- Donald Crafton, "Tricks and Animation," pp. 71-78.
- A. L. Rees, "Cinema and the Avant-Garde," pp. 95-105.
- William Moritz, "Bugs Bunny," p. 269.
- FS:
- Robert B. Ray, "Impressionism, Surrealism, and Film Theory," pp. 67-76.
- Murray Smith, "Modernism and the Avant Gardes," pp. 395-412.
- Michael O'Pray, "The Animated Film," pp. 434-439.
- Ian Christie, "The Avant-Gardes and European Cinema Before 1930," pp. 449-454.
Background Readings:
- Man Ray -- Dayna Oscherwitz, Film Reference.com
- Luis Bunuel -- Dominique Russell, Senses of Cinema
- Luis Bunuel -- E. Rubinstein, Film Reference.com
- Jean Cocteau -- Richard Misek, Senses of Cinema
- Jean Cocteau -- Roy Armes, Film Reference.com
- Un Chien Andalou -- Michael Koller, Senses of Cinema
- L'Age D'Or -- Sophy Williams, Senses of Cinema
- L'Age D'Or -- Douglas Gomery, Film Reference.com
- The Blood of a Poet -- Roy Armes, Film Reference.com
- "Animated Films" -- Tim Dirks, Greatest Films
- Walt Disney -- Rob Edelman, Film Reference.com
- Steamboat Willie -- Linda J. Obalil, Film Reference.com
Week Seven -- Oct. 3 and 5:
"Genre, Auteurism, and the
American Studio System, Part I: The Gangster Film and The Musical"
Film
*** Fri Oct 6: Take home mid-term
exam due by 12:00 pm to Ms. Palmer in Room 307 of Jackson Hall
Readings:
- WC:
- Geoffrey Nowell-Smith, "Introduction [to Sound Cinema]," pp. 207-210.
- Karel Dibbits, "The Introduction to Sound," pp. 211-219.
- Rick Altman, "Cinema and Genre," 276-285.
- John Belton, "Howard Hawks," pp. 278-279.
- Rick Altman, "The Musical," pp. 294-303.
- Phil Hardy, "Crime Movies," pp. 304-311.
- FS:
- Claudia Gorbman, "Film Music," pp. 43-50.
- Tom Ryall, "Genre and Hollywood," pp. 327-338.
Background Readings:
- "Crime and Gangster
Films" -- Tim Dirks, Greatest Films
- Howard
Hawks -- David Boxwell, Senses of Cinema
- Howard Hawks -- Gerald Mast, Film Reference.com
- Howard
Hawks -- Petri Liukkonen and Ari Pesonen
- Chapter
One of Howard Hawks: The Grey Fox of Hollywood -- Todd
McCarthy
- Scarface:
The Shame of a Nation --
Tim Dirks, Greatest Films
- Scarface -- Michael Cohen, Senses of Cinema
- Scarface: The Shame of a Nation -- Gerald Mast, Film Reference.com
- "Musical/Dance Films" -- Tim Dirks, Greatest Films
- Lloyd Bacon -- Douglas Gomery, Film Reference.com
- Busby Berkeley -- Doug Tomlinson, Film Reference.com
- 42nd Street -- Greg S. Faller, Film Reference.com
- "Twists,
Slugs and Roscoes: A Glossary of Hardboiled Slang" --
William
Denton
Week Eight -- Oct 10 and 12:
Fall Break
- Tu Oct 10: *** Turn in Essay # 1 to Ms. Palmer in Room 307 of Jackson Hall before 2:00 pm
- Th Oct 12: Fall Break: No Class
Week Nine -- Oct 17 and 19:
"Genre, Auteurism, and the
American Studio System, Part II:
Screwball Comedy -- Frank Capra and Preston Sturges"
Film:
Readings:
- Belton:
- "The Studio
System," pp.
66-90;
"American Comedy," pp. 170-199.
- WC:
- Thomas Schatz, "Hollywood: The Triumph of the Studio System," pp. 220-234.
- Richard Maltby, "Censorship and Self-Regulation," pp. 235-247.
- Richard Maltby, "Will Hays," p. 238.
- "Don'ts and Be Carefuls" (Hollywood's First Self-Regulating Code), p. 239.
- FS:
- John Belton, "American Cinema and Film History," pp. 227-237.
- Duncan Petrie, "History and Cinema Technology," pp. 238-244.
- Douglas Gomery, "Hollywood as Industry," pp. 245-254.
Background Readings:
- Screwball
Comedy page -- Michael Mills
- It
Happened
One Night -- Tim Dirks, Greatest Films
- It Happened One Night -- Martha P. Nochimson, Senses of Cinema
- It Happened One Night -- Lauren Rabinovitz, Film Reference.com
- Frank Capra -- Charles Affron, Film Reference.com
- "It's
Fun...But It Takes Courage: Remembering Frank Capra's America"
-- Annalee
Newitz, Bad Subjects
- "The
Charm of Morality: Frank Capra and his Cinema," --
Lorraine Mortimer, Continuum:
The Australian Journal of Media & Culture
- "A
Capra Moment" -- Stanley Cavell, Humanities
- Elizabeth's
Frank Capra page -- good poster site
- Frank
Capra page -- Erik Weems
- Clark Gable -- Joanne L. Yeck and John McCarty, Film Reference.com
- The
Lady
Eve -- Tim Dirks, Greatest
Films
- The
Lady Eve -- Roger Ebert, Chicago-Sun
Times
- The Lady Eve -- Robin Wood, Film Reference.com
- The Lady Eve -- Peter Tonguette, Senses of Cinema
- The
Lady Eve and Sullivan's Travels -- Gary
Johnson --
review of Critierion DVDs
- The
Lady Eve and Sullivan's Travels --
Matthew
Kennedy -- review of Criterion DVDs
- Preston Sturges
-- Jonas Varsted
Kirkegaard, Senses
of Cinema
- Preston Sturges -- Eric Smoodin, Film Reference.com
- "Ants
in His Pants" (essay
on Preston Sturges) -- Jerry Kemp, Sight and Sound
- Preston
Sturges -- American Masters, PBS
- Sturges
Emerges -- Stu Kobak
- Barbara Stanwyck -- Arthur Nolletti Jr. and Maria DiBattista, Film Reference.com
- Preston
Stuges's Stock Company -- James Harvey and others (be sure to click on the links at the bottom of the page for the other essays)
- Preston
Sturges: A Selected Bibliography of Materials in the UC Berkeley
Library
-
"More Sinned Against
than Sinning: The Fabrications of 'Pre-Code Cinema'" -- Richard Maltby, Senses of Cinema
Week Ten -- Oct 24 and 26:
"Documenting the Depression: The Rise of the Documentary Film"
Film:
Readings:
- WC:
- Charles Musser, "Documentary," pp. 322-332.
- Michael Eaton, "Humphrey Jennings," pp. 328-329.
- Rosalind Delmar, "Joris Ivens," p. 331.
- FS:
- John Izod and Richard Kilborn, "The Documentary, " pp. 428-433.
Background Readings:
- Documentary Films -- Wikipedia
- Documentary Films -- Tim Dirks, Greatest Films
- Documentary -- Ian Aitken, ScreenOnline
- New Frontiers in American Documentary Film -- Nicole Huffman, American Studies Program, U. of Virginia
- Robert Flaherty -- Annette Kuhn, ScreenOnline
- Robert Flaherty -- Deane Williams, Senses of Cinema
- Robert Flaherty -- William T. Murphy, Film Reference.com
- Pare Lorentz -- Jack C. Ellis, Film Reference.com
- John Grierson -- Leo Enticknap, ScreenOnline
- John Grierson -- Jack C. Ellis, Film Refeence.com
- Humphrey Jennings -- Julian Petley, ScreenOnline
- Humphrey Jennings -- Jack C. Ellis, Film Reference.com
- Joris Ivens -- Ian Mundell, Senses of Cinema
- Joris Ivens -- Dorothee Verdaasdonk, Film Reference.com
- Leni Riefenstahl -- Louise Heck-Rabi and Rob Edelman, Film Reference.com
- Documentary and Ethnographic Film: A Bibliography of Books and Articles in the UC Berkeley Libraries
Week Eleven -- Oct 31 and Nov 2:
"Politics and Popular Film in Europe of the 1930s"
Film:
Readings:
- WC:
- John Hawkridge, "British Cinema from Hepworth to Hitchcock," pp. 130-136.
- Edward R. O'Neill, "Alfred Hitchcock," pp. 310-311.
- Geoffrey Nowell-Smith, "Socialism, Fascism, and Democracy," pp. 333-343.
- Janet Bergstrom, "Jean Renoir," pp. 338-339.
- Edward R. O'Neill, "Paul Robeson," p. 341.
- Ginette Vincendeau, "The Popular Art of French Cinema," pp. 344-353.
- FS:
- Chuck Kleinhans, "Marxism and Film," pp. 106-113.
- Keith Reader, "Jean Renoir," pp. 486-488.
Background Readings:
Week Twelve -- Nov 7 and 9:
"Genre, Auteurism, and the
American Studio System, Part III:
Melodrama and the Screwball Comedy: Josef von Sternberg and Howard Hawks"
Film:
Readings:
- Belton:
- "The
Star System," pp. 83-114.
- WC:
- Pamela Church Gibson, "Film Costume," pp. 36-42.
- Gaylyn Studlar, Josef von Sternberg," pp. 216-217.
- Gaylyn Studlar, "Marlene Dietrich," pp. 240-241.
- FS:
- Barbara Creed, "Film and Psychoanalysis, " pp. 77-90.
- Patricia White, "Feminism and Film," pp. 117-131.
- E. Ann Kaplan, "Classical Hollywood Film and Melodrama," pp. 272-282.
- Linda Williams, "Body Genres," from "Film Bodies: Gender, Genre and Excess," pp. 339-341.
- Jeremy Butler, "The Star System and Hollywood," pp. 342-353.
Background Readings:
- questions to consider when viewing Blonde Venus -- U. of Pennsylvania
- "Dietrich and Sternberg: The Fallen Angels" -- Adrian Martin, Senses of Cinema
- "Have Irony, Will Travel" [on Dietrich] -- Peter Kemp, Senses of Cinema
- Marlene Dietrich -- James Naremore, Senses of Cinema
- Marlene Dietrich -- Robert Pardi, Film Reference.com
- review of Thinking in Images :Film Theory, Feminist Philosophy and Marlene Dietrich by Catherine Constable -- Felicity Colman, Senses of Cinema
- Josef von Sternberg -- Tag Gallagher, Senses of Cinema
- Josef von Sternberg -- John Baxter, Film Reference.com
- Melodrama
Films -- Tim Dirks, Greatest Films
- Bringing Up Baby
-- Tim Dirks, Greatest
Films
- Bringing Up Baby
-- James Kendrick,
QNetwork.com
- Bringing Up Baby -- Lauren Rabinovitz, Film Reference.com
- "The Camera
as Romantic Catalyst" (on
Bringing Up Baby) -- Tony Pellum, Toxic Universe
- "The Screwball
Heroine Saves the Day" (Bringing
Up Baby, Romancing the Stone, etc.) -- Elizabeth
Abele, Schuylkill
- Cary Grant -- Janet E. Lorenz and Guo-Juin Hong, Film Reference.com
- "The
Glory of Cary Grant and Other Girlish Delights" --
Elizabeth Abele, Images:
A Journal of Film and Popular Culture [on Bringing Up Baby]
- The
Ultimate Cary Grant Pages -- Debbie Dunlap
- "Absolute Definition: Katharine Hepburn" -- Lesley Chow, Senses of Cinema
- Home of
the Screwball -- Lisa Jensen, Katie Hamlin, and Dave
Henning, U. of Virginia
Week Thirteen -- Nov 14 and 16:
"Genre, Auteurism, and the
American Studio System, Part IV:
John Ford and the American West"
Film:
Readings:
- Belton:
- "The Making of the West,"
pp. 248-278.
- WC:
- Edward Buscombe, "The Western," pp. 286-294.
- Edward Buscombe, "John Ford," pp. 288-289.
- Edward Buscombe, "John Wayne," p. 290.
- FS:
- Robyn Wiegman, "Race, Ethnicity, and Film," pp. 158-168.
- Rey Chow, "Film and Cultural Identity," pp. 169-175.
- Stephen Crofts, "Authorship and Hollywood," pp. 310-324.
- Peter Wollen, from Signs and Meaning in the Cinema, pp. 325-326.
Background Readings:
- John
Ford -- Richard Franklin, Senses of Cinema
- John Ford -- John Baxter, Film Reference.com
- "Ford Til '47" -- Tag Gallagher, Senses of Cinema
- Stagecoach
-- Tim Dirks, Greatest Films
- Stagecoach -- TV Guide
- "Cookie-Cutter
Or Connoisseur? -- Genre Theory and John Ford's Stagecoach
-- Katherine Lawrie, Queen's College,
Canada
- John Wayne -- Robin Wood and John McCarty, Film Reference.com
- "Western Films" -- Tim Dirks, Greatest Films
- The
Grapes of Wrath -- Roger Ebert, Chicago Sun-Times
- The
Grapes
of Wrath -- Tim Dirks, Greatest Films
- The Grapes of Wrath -- John Baxter, Film Reference.com
- The
Grapes of Wrath -- Catherine Lavender, The College of Staten Island of The City University of New York
- The Grapes of Wrath -- English and American Studies Dept., U of Vienna, Austria
- The Grapes of Wrath -- Wikipedia
- Henry Fonda -- Philip Kemp and Rob Edelman, Film Reference.com
- John
Ford: A Bibliography of Materials in the UC Berkeley Library
Week Fourteen -- Nov 21 and 23:
No Class: Thanksgiving Break
Week Fifteen -- Nov 28 and 30:
"Challenging the
Hollywood System:
Welles's Kane"
Film:
- Th Nov 30: Citizen Kane continued
Readings:
- WC:
- Thomas Schatz, "Gregg Toland," pp. 262-263.
- Edward R. O'Neill, "Orson Welles," pp. 454-455.
- FS:
- Peter Wollen, from "Introduction to Citizen Kane," pp. 26-29.
Background Readings:
Week Sixteen -- Dec 5 and 7:
Review and Evaluations
- Tu Dec 5: Review for final exam; evaluations
***** Wed Dec 6
*** Turn in Essay # 2 to Ms. Palmer in Room 307 of Jackson Hall before 2:00 pm
- Th Dec 7: No Class: Study for Final Exam
Final Exam Week: Dec 11 - 15
- Tuesday, December 12: Final Exam 4-7 pm Jackson Hall 304