English 368 -- History
of
Film, Part I:
From the 1890s to 1945
Fall 2010
English Department
Centenary College of Louisiana
304 Jackson Hall
Tu/Th 2:00 - 4:30
Instructor: Jefferson Hendricks
Office: 307D Jackson Hall
Office hours: Tu/Th 9:45-11:00; 1:15-1:50 -- and by appt.
Office ph.: 869-5086 / 5254
Email: jhendric@centenary.edu
Texts:
- Belton, John. American Cinema/American
Culture. 3rd ed.
NY: McGraw Hill, 2009. (Belton)
- Thompson, Kristin and David Bordwell. 3rd ed. Film History: An Introduction. NY: McGraw Hill, 2010.
- on-line
readings
Course Objectives:
Film History I is
designed to enable you:
- to gain a working knowledge of early film
history,
from the silent cinema through the height of classical Hollywood cinema;
- to develop your cinematic literacy--in
other words,
to teach you to recognize and use the basic technical and critical
vocabulary
of motion pictures;
- to understand the significance of international cinema in the development of film as a modernist art;
- to understand the place of "Hollywood" in
world film
culture;
- to grasp the role of genre in American film
history,
and to recognize how some of the most popular genres express American
social
and cultural tensions;
- to question your own role as a passive
spectator,
and to increase your ability to watch films actively and critically; and
- to improve your ability to write critically
and analytically about film as art and social practice.
Course Requirements:
- eleven in-class quizzes (I drop the lowest grade of the eleven)
- a
weekly blog of at least 250 words (at least 15 blog entries
during the semester; extra blog entries will count as extra credit)
- a take-home mid-term essay of 1000 words (about 4 pages)
- a final research essay of 2000 words (about 8 pages)
- a comprehensive in-class final exam
- being in class on time, having read the assignments, and active participation within the class
Grading:
| Quizzes
10% |
Final
exam
20% |
| Mid-term essay 10% |
Final Research Essay 20% |
| Weekly Blog 20% |
Work
Ethic 20% |
Linked below are some models of essays that might help you write about
certain
topics. You
are expected to write two out-of-class essays this semester; one
1000-word out-of-class mid-term essay and one 2000-word final research
essay.
Your writing should engage with the
conversation of other knowledgeable critics/scholars wrestling with
your
subject. You should consult both printed and online
sources in writing your essays. Further information about these essays
will be given in class. You will be allowed to revise as many
times as you'd like before the essay is due. I will be glad to
meet with you during office hours -- or by appointment -- to review any drafts that you'd like
to submit for comments.
- an essay focusing on a
particular
actor: Manohla
Dargis, "Ghost in the Machine," Sight and Sound, July
2000
[on Tom Cruise]
- an essay focusing on a specific
film: José
Arroyo, "How Do You Solve a Problem Like Von Trier?", Sight and
Sound,
Sept., 2000 [on Von Trier's Dancer in the Dark]
- an essay focusing on a genre and
several films : Danny
Leigh, "Get Smarter," Sight and Sound, June, 2000
[on the contemporary British gangster film]
- an essay focusing on a director and
several films: Philip
Kemp, "Ants in His Pants," Sight and Sound, May, 2000
[on Preston Sturges]
- an essay focusing on a theme in
several films: David Thomson, "The Last Frontier," Sight and Sound, February, 2004 [on racial tensions in the Western]
Work ethic: attendance and class participation:
To be successful in this class
you need to be in
class (on time, naturally) and prepared to listen, observe, and talk intelligently and passionately.
More than two absences will lower your "work ethic" grade and, consequently, your final grade. You may make up for absences and tardiness,
and also obtain extra credit, by writing 250-350 word reviews of approved
out-of-class
films, normally films shown at either the Centenary Film Society or the
Robinson Film Center in Shreveport. These reviews should be
posted to your blog.
General On-Line Resources for Film
History Before 1946:
Nota
bene: Not all web sites are created equally. Learn to
evaluate
them as you would more traditional print resources. The following
guide from Cornell University is a good initial step in that
direction:
"How
to Critically Analyze Information Sources."
English
368:
Course Schedule
Week One -- Aug 24 and 26:
"The Early Years of Cinema"
Film:
- Tu Aug 24: Introduction to Course and Policies and Procedures
Readings:
- Belton:
- "Introduction"; Chapter 1: "The
Emergence of the Cinema as An Institution,"
pp. 3-20.
- T&B:
- Chapter 1: "The Invention and Early Years of the Cinema,
1880s-1904," pp. 4-21.
- Chapter 2: "The International Expansion of the Cinema,
1905-1912," pp. 22-43.
Background Readings:
- Le
Voyage
Dans La Lune (A Trip To The Moon) (1902) -- Tim
Dirks, Greatest Films
- The
Great
Train Robbery (1903) -- Tim Dirks, Greatest
Films
- Louis Lumière -- R. F. Cousins, Film Reference.com
- Louis Jean Lumière -- Stephen Herbert, Who's Who of Victorian Cinema
- Auguste Marie Nicolas Lumière -- Stephen Herbert, Who's Who of Victorian Cinema
- Auguste and Louis Lumière -- Wikipedia
- Workers Leaving the Factory (1895; the Lumiere Brothers) -- Harun Farocki, Senses of Cinema
- The Institute Lumière
- Thomas Edison -- Ian Christie, Who's Who in Victorian Cinema
- Marie-Georges-Jean Méliès -- David Robinson, Who's Who of Victorian Cinema
- Georges Méliès
-- Darragh O'Donoghue, Senses
of Cinema
- Edward Stanton Porter -- Luke McKernan, Who's Who in Victorian Cinema
- Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company -- Charles Musser (etext of full book from U. of California P, 1991)
- Charlie Chaplin -- British Film Institute
- Charlie Chaplin -- Wikipedia
Week Two -- Aug 31 and Sept 2:
"D.W. Griffith, Frank Borzage, and the Rise of Classical Hollywood Cinema"
Film:
*** Th Sept 2: Quiz # 1
Readings:
- Belton:
- Chapter 2: "Classical Hollywood
Narration," pp.
21-43.
- Chapter 6: "Silent Film Melodrama,"
pp. 131-149.
- T&B:
- Chapter 3: "National Cinemas, Hollywood Classicism, and World
War I, 1913-1919," pp. 44-70.
Background Readings:
- Melodrama
Films -- Tim Dirks, Greatest Films
- Broken
Blossoms- -- Tim Dirks, Greatest Films
- Broken
Blossoms -- Roger Ebert, Chicago Sun-Times
- Broken Blossoms -- Wikipedia
- Broken Blossoms -- Russell Merritt, Film Reference.com
- "Artful
Racism and Artful Rape in Broken
Blossoms" -- Julia LeSage, Jump Cut
- D. W. Griffith -- John Steinle, Senses of Cinema
- D. W. Griffith -- Wikipedia
- D. W. Griffith -- Russell Merritt, Film Reference.com
- "D.W.
Griffith and the Origins of American Cinema" -- The Bill
Douglas
Centre
- Bibliography
on D. W. Griffith -- U. of California, Berkeley Library
- Frank Borzage -- Joe McElhaney, Senses of Cinema
- Frank Borzage -- Wikipedia
- Seventh Heaven -- Wikipedia
- "The Sanctum Sontorum of Love: Frank Borzage" -- Kent Jones, Film Comment
- "Pilgrims’ Progress: On the Road with Frank Borzage’s Earth Angels" -- Kathleen Murphy, Steadycam Magazine
- Seventh Heaven -- Michael Guillen, Evening Class
- Seventh Heaven -- Nick Davis, Northwestern U.
- "Silent Light" -- Michael Atkinson, Moving Image Source
- "Janet Gaynor and Charles Farrell: A Brief Biography" -- Sarah Baker
Week Three -- Sept 7 and 9:
"German Expressionism in the 1920s"
Film:
*** Th Sept 9: Quiz # 2
Readings:
Background Readings:- notes on German Expressionism in Film -- Eric Ames & Andrew Nestingen, U. of Washington, Seattle
- Expressionism and Film History -- Jan Horak, Film Reference.com
- German Expressionism -- Jan Horak, FilmReference.com
- German Expressionism and the German Film Industry -- from The Cinema Book, Pam Cook, ed.
- "Expressionism
and Caligarisme" -- Bouton Jones
- The Cabinet of Dr. Caligari -- Ian Johnston, Not Coming to a Theater Near You
- The Cabinet of Dr. Caligari -- M. B. White, Film Reference.com
- "It's a Mad, Mad, Mad, Mad World" -- Justin Stoeckel, Film Journal.com
- review of Kino's version of Caligari -- Mark Zimmer, digitally obsessed.com
- "Expressing Paranoia: Dr. Caligari" -- Joe Leydon, MovingPictureBlog
- Robert Wiene -- Hans-Michael Bock, Encyclopedia of German Film
- Robert Wiene -- Liam O'Leary, Film Reference.com
- Fritz Lang -- Charles L. P. Silet, Film Reference.com
- Fritz
Lang:
Master of Darkness -- British Film Institute
- a Fritz
Lang page
- Metropolis -- Wikipedia
- Fritz
Lang's Metropolis -- Augusto Cesar B. Areal
- Metropolis -- Roger Ebert, Chicago
Sun-Times
- Metropolis -- B. Urgosíková, Film Reference.com
- notes on Metropolis -- Diane Christian and Bruce Jackson, The Buffalo Film Seminars
- "Radiant City" -- David Edelstein, Slate.com
- Metropolis Film Archive -- Michael Organ
- "Science Fiction Films" -- Tim Dirks, Greatest Films
- The
German-Hollywood Connection
- German
Cinema: A Selected Bibliography of Materials in the UC, Berkeley Library
Week Four -- Sept 14 and 16:
"Radical Politics,
Modernist
Style: Silent Film from the Soviet Union"
Film:
*** Th Sept 16: Quiz # 3
Readings:
- T&B:
- Chapter 6: "Soviet Cinema in the 1920s," pp. 105-127.
- Sergei
Eisenstein -- Dan Shaw, Senses of Cinema
- Dziga
Vertov -- Jonathan Dawson, Senses of Cinema
Background Readings:
- Sergei Eisenstein -- Richard Taylor, Film Reference.com
- Sergei Eisenstein -- All Movie Guide
- Sergei Eisenstein -- Wikipedia
- Eisenstein
page -- Gregg Severson, Carleton College
(with essay "Historical
Narrative in The Battleship Potemkin" )
- Battleship Potemkin -- Helen Grace, Senses of Cinema
- Battleship Potemkin -- Clyde Kelly Dunagan, Film Reference.com
- Edward Tisse -- Marie Saeli, Film Reference.com
- Dziga Vertov -- Erik Barnouw, Film Reference.com
- Dziga Vertov -- Wikipedia
- Dziga
Vertov -- All
Movie Guide
- Man With a Movie Camera -- Wikipedia
- Man With a Movie Camera -- Grant Tracey, Images Journal
- Man With a Movie Camera -- Kara L. Andersen, Scope: An Online Journal of Film and TV Studies
- Man With The Movie Camera -- Sharon Lee, Film Reference.com
- notes on Man With a Movie Camera -- Glen Johnson, Catholic U.
- notes on Man With a Movie Camera -- Diane Christian and Bruce Jackson, The Buffalo Film Seminars
- "Dziga Vertov and the Film of Money" -- Jonathan Beller, Boundary 2
- "Presenting
the Cyborg's Futurist Past: An Analysis of Dziga Vertov's Kino-Eye"
-- Joseph Christopher Schaub, U. of Maryland
- "The Machine Art of Dziga Vertov and Busby Berkeley" -- Nicole Armour, Images Journal
- Alexander
Dovzhenko -- All
Movie Guide
- "The Soviet Avant Garde" -- Craig Fisher, Images Journal
- Eastern European Cinema: A Bibliography of Materials in the UC Berkeley Library
Week Five -- Sept 21 and 23:
"Hollywood in the Late Silent Era: The Genius of Silent Comedy -- Keaton and Chaplin"
Film:
*** Th Sept 23: Quiz # 4
Readings: - T&B:
- Chapter 7: "The Late Silent Era in Hollywood, 1920-1928," pp. 128-151.
- Buster
Keaton -- Dan Callahan, Senses of Cinema
- Charles Chaplin -- Dan L. Neibaur, Senses of Cinema
Background Readings:- Buster Keaton -- Wikipedia
- Buster Keaton -- Gerald Mast, Film Reference.com
- The General -- Roger Ebert, Chicago Sun-Times
- The General -- Tim Dirks, Greatest Films
- The General -- Joseph Milicia, Film Reference.com
- notes on The General -- Ranjit Sandhu
- notes on The General -- Diane Christian and Bruce Jackson, The Buffalo Film Seminars
- The
General -- All Movie Guide
- "The Narrative-Machine: Buster Keaton's Cinematic Comedy, Deleuze's Recursion Function and the Operational Aesthetic" -- Lisa Trahair, Senses of Cinema
- The
International
Buster Keaton Society homepage
- Buster
Keaton: A Selected Bibliography of Materials in the UC Berkeley Library
- Charlie Chaplin -- Gerald Mast, Film Reference.com
- Charlie Chaplin and Silent Films -- Transcriptions Project, U. of California, Santa Barbara
- Charlie Chaplin and Silent Films: City Lights -- Transcriptions Project, U. of California, Santa Barbara
- Charlie Chaplin -- Biography.com
- City Lights -- Tim Dierks, Filmsite.com
- "Looking at Charlie: City Lights" -- Alan Vanneman, Bright Lights Film Journal
- "Tendentious Innocence: Chaplin’s Use of Doubling in City Lights and The Idle Class" -- Arthur Rankin, Senses of Cinema
- "The
Talkie and the Tramp: Charlie Chaplin Stays Silent in the Machine
Age" -- Claudia Silverman, U. of Virginia
- "Chaplin's
Film Heroines" -- Stephen M. Weissman
- What
Made Charlie Run? -- Stephen M. Weissman
- Charlie
Chaplin: A Bibliography of Materials in the UC Berkeley Library
Week Six -- Sept 28 and Sept 30:
"Modernism and French Film in the 1920s: From the Avant Garde to Art Cinema"
Film:
*** Th Sept 30: Quiz # 5
Readings:
- T&B:
- Chapter 4: "France in the 1920s," pp. 71-86.
- Chapter 8: "International Trends of the 1920s," pp. 152-174.
Background Readings:
- Dada -- Wikipedia
- Surrrealism -- Wikipedia
- Surrealism in Film -- Erin Foster, Film Reference.com
- Experimental Film -- Craig Fischer, Film Reference.com
- "Surrealism" and the Omnipotence of Cinema -- James. M. Magrini, Senses of Cinema
- Man Ray -- Dayna Oscherwitz, Film Reference.com
- Return to Reason -- Media/Art/Net
- Return to Reason -- Dennis Grunes
- Fernand Léger -- Wikipedia
- Dudley Murphy -- Wikipedia
- about the film Ballet Mechanique
- Le Ballet Méchanique -- Edward S. Small, Film Reference.com
- Marcel Duchamp -- Wikipedia
- Marcel Duchamp: Optical Experiments and Anemic Cinema -- Dada Companion
- Anémic Cinéma -- Wikipedia
- Anémic Cinéma -- Ubu Web
- Robert Florey -- Anthony Slide, Film Reference.com
- Slavko Vorkapich -- Philip Kemp, Film Reference.com
- The Life and Death of 9413, A Hollywood Extra -- Wikipedia
- The Life and Death of 9413, A Hollywood Extra -- Silent Era
- Luis Bunuel -- Dominique Russell, Senses of Cinema
- Luis Bunuel -- E. Rubinstein, Film Reference.com
- Salvador Dali -- Wikipedia
- Un Chien Andalou -- Michael Koller, Senses of Cinema
- Un Chien Andalou -- M. B. White, Film Reference.com
- L'Age D'Or -- Sophy Williams, Senses of Cinema
- L'Age D'Or -- Douglas Gomery, Film Reference.com
- Jean Cocteau -- Richard Misek, Senses of Cinema
- Jean Cocteau -- Roy Armes, Film Reference.com
- The Blood of a Poet -- Roy Armes, Film Reference.com
- Carl Th. Dreyer: The Man and His Work -- Danish Film Institute
- The Passion of Joan of Arc -- Ib Monty, Film Reference.com
- The Passion of Joan of Arc -- Roger Ebert, Chicago Sun Times
- The Passion of Joan of Arc -- Landon Palmer, Film School Rejects
- notes on The Passion of Joan of Arc -- Diane Christian and Bruce Jackson, The Buffalo Film Seminars
- "Camera Movement in The Passion of Joan of Arc" -- Kazu Watanabe, Naive Cinema
- The Passion of Joan of Arc -- Wikipedia
- "Realized Mysticism in The Passion of Joan of Arc" -- Carl Theodor Dreyer
- Carl Theodor Dreyer -- Acquarello, Senses of Cinema
- Carl Theodor Dreyer -- Ib Monty, Film Reference.com
- Carl Theodor Dreyer -- Wikipedia
- Carl Theodor Dreyer: A Bibliography of Materials in the UC Berkeley Library
Week Seven -- Oct 5 and 7:
"Genre, Auteurism, and the
American Studio System, Part I:
The Gangster Film and the Horror Film"
Film
*** Th Oct 7: Quiz # 6
Readings:
- Belton:
- Chapter 3: "Classical Hollywood Cinema: Style," pp. 44-63.
- T&B:
- Chapter 9: "The Introduction of Sound," pp. 177-195.
Background Readings:
- "Crime and Gangster
Films" -- Tim Dirks, Filmsite.com
- Howard
Hawks -- David Boxwell, Senses of Cinema
- Howard Hawks -- Gerald Mast, Film Reference.com
- Howard
Hawks -- Petri Liukkonen and Ari Pesonen
- Howard Hawks -- Wikipedia
- Chapter
One of Howard Hawks: The Grey Fox of Hollywood -- Todd
McCarthy
- Golden Years: The Late Period Works of Auteurist Hero Howard Hawks -- Dan Sallitt, Moving Image Source
- Scarface:
The Shame of a Nation --
Tim Dirks, Filmsite.com
- Scarface -- Michael Cohen, Senses of Cinema
- Scarface: The Shame of a Nation -- Gerald Mast, Film Reference.com
- notes on Scarface -- Diane Christian and Bruce Jackson, The Buffalo Film Seminars
- Howard Hawks: A Bibliography of Materials in the UC Berkeley Library
- King Kong -- Danny Peary, Cult Movies I
- King Kong -- Linda J. Obalil, Film Reference.com
- King Kong -- Tom Huntington, American Heritage.com
- "King Kong: Race, Sex, and Rebellion" -- David N. Rosen, Jump Cut
- King Kong -- John MacGowan-Hartmann, Senses of Cinema
- King Kong -- Tim Dirks, Filmsite.org
- notes on King Kong -- Diane Christian and Bruce Jackson, The Buffalo Film Seminars
- King Kong -- Wikipedia
- "Missing Links: The Jungle Origins of King Kong" -- Gerald Peary
- "Max Steiner and King Kong" -- Steve Vertlieb, American Music Preservation
- "Twists,
Slugs and Roscoes: A Glossary of Hardboiled Slang" --
William
Denton
Week Eight -- Oct 14 and 16:
"Alfred Hitchcock and the British Spy Thriller"
Mid-term Essay and Fall Break
Film:
*** Turn in take-home Mid-term Essay to Room 307 of Jackson Hall before you leave for Fall Break
- Th Oct 14: Fall Break: No Class
Readings:
Background Readings:
Week Nine -- Oct 19 and 21:
"Politics and the Development of the Musical in Germany and America"
Film:
*** Th Oct 21: Quiz # 7
Readings:
- Belton:
- Chapter 4: "The Studio
System," pp.
64-86
- Chapter 8: "American Comedy," pp. 164-194.
Background Readings:
- "Gotta Sing, Gotta Dance: Musicals" -- Sean Axmaker, Green Cine
- Musicals -- Dance Films -- Tim Dirks, Filmsite.org
- Die Dreigroschenoper -- Rob Edelman, Film Reference.com
- The Threepenney Opera -- Annaliese Varaldiev, Criterion Collection
- "The Threepenney Opera: Doubles and Duplicities" -- Tony Rayns, Criterion Collection
- The Threepenney Opera -- Sean Axmaker, Turner Classic Movies
- The Threepenney Opera -- Wikipedia
- The 3Penney Opera -- C.J. Schexnayder, Kleph.com
- "Three Penney Opera: Brecht vs. Pabst" -- Jan-Christopher Horak, Jump Cut
- The Threepenney Opera.org
- The Threepenney Opera (the play by Bertolt Brecht) -- SparkNotes.com
- "Preface to G. W. Pabst: The Threepenney Opera" -- Bruce Williams, Senses of Cinema
- G. W. Pabst -- Liam O'Leary, Film Reference.com
- Georg Wilhelm Pabst -- Wikipedia
- Lloyd Bacon -- Douglas Gomery, Film Reference.com
- Lloyd Bacon -- Wikipedia
- Busby Berkeley -- Doug Tomlinson, Film Reference.com
- Busby Berkeley -- Turner Classic Movies
- Busby Berkeley -- Wikipedia
- "The Machine Art of Dziga Vertov and Busby Berkeley" -- Nicole Armour, Images Journal
- 42nd Street -- Greg S. Faller, Film Reference.com
- 42nd Street -- Tim Dirks, Filmsite.com
- 42nd Street -- Emmanuel Levy
- 42nd Street -- Wikipedia
Week Ten -- Oct 26 and 28:
"Genre, Auteurism, and the
American Studio System, Part II:
The Drama of Domesticity in Classical Hollywood Cinema"
Film:
*** Th Oct 28: Quiz # 8
Readings:
Background Readings:
- questions to consider when viewing Blonde Venus -- U. of Pennsylvania
- "Dietrich and Sternberg: The Fallen Angels" -- Adrian Martin, Senses of Cinema
- "Josef von Sternberg: Eros and Abstraction" -- Blonde Venus -- Michael Guillen, The Evening Class
- "The
Censorship of 'Blonde Venus': Textual Analysis and Historical Method"
-- Lea Jacobs, Cinema Journal [JSTOR through
Magale Library]
- "Have Irony, Will Travel" [on Dietrich] -- Peter Kemp, Senses of Cinema
- Marlene Dietrich -- Robert Pardi, Film Reference.com
- review of Thinking in Images :Film Theory, Feminist Philosophy and Marlene Dietrich by Catherine Constable -- Felicity Colman, Senses of Cinema
- Josef von Sternberg -- John Baxter, Film Reference.com
- Josef von Sternberg -- MUBI beta
- Josef von Sternberg -- Wikipedia
- William Wyler -- Charles Affron, Film Reference.com
- William Wyler -- American Masters (PBS)
- William Wyler -- Wikipedia
- Walter Huston -- Anthony Slide, Film Reference.com
- Dodsworth -- Self-Styled Siren
- Dodsworth -- Adam Tolbert, WILDsound
- William Wyler: A Bibliography of Materials in the UC Berkeley Library
Week Eleven -- Nov 2 and Nov 4:
"Politics and Style in 1930s French Cinema"
Film:
*** Th Nov 4: Quiz # 9
Readings:
Background Readings:
- René Clair -- Turner Classic Movies
- René Clair -- Wikipedia
- René Clair -- Michael E. Grost, Classic Film and Television
- "René Clair -- author -- legislator" -- Noel Herpe, Senses of Cinema
- A Nous La Liberté -- Michael Atkinson, Criterion Collection
- A Nous La Liberté -- Liam O'Leary, Film Reference.com
- A Nous La Liberté -- Wikipedia
- Jean Renoir -- Tom Conley, Film Reference.com
- Jean Renoir: Master of the Game -- Sean Axmaker, Green Cine
- "The Artistry of Jean Renoir" -- Claude Beylie, Movie
- Jean Renoir -- Wikipedia
- interview with Jean Renoir -- Columbia U. Oral History Research Office (1960)
- notes on The Rules of the Game -- Diane Christian and Bruce Jackson, The Buffalo Film Seminars
- "The Rules of the Game: Everyone Has Their Reasons" -- Alexander Sesonske, Criterion Collection
- "Who Do You Love? : Renoir's Rules of the Game Reconsidered" -- Alan Vanneman, Bright Lights Film Journal
- The Rules of the Game -- Roger Ebert, Chicago Sun-Times
- The Rules of the Game -- Robin Wood, Film Reference.com
- The
Rules of the Game -- Stacey Richter, Tucson
Weekly
- "The
Disturbing Relevance of Renoir’s La Régle du Jeu"
-- Travis Else
- "S/Z
and Rules of the Game" -- Julia Lesage
Week Twelve -- Nov 9 and 11:
"Genre, Auteurism, and the
American Studio System, Part III:
The Screwball Comedy"
Film:
*** Th Nov 11: Quiz # 10
Readings:
- Belton:
- "The
Star System," pp. 83-114.
- Frank Capra -- Charles Affron, Film Reference.com
- Preston Sturges
-- Jonas Varsted
Kirkegaard, Senses
of Cinema
Background Readings:
- Mr. Deeds Goes to Town -- Wikipedia
- Mr. Deeds Goes to Town -- Dan Schneider, Alternative Film Guide
- Mr. Deeds Goes to Town -- Erik Weems, Frank Capra: The Classic Film Director from Hollywood's Golden Age
- Mr. Deeds Goes to Town -- Time Dirks, Greatest Films
- Gary Cooper -- Stuart M. Kaminsky, Film Reference.com
- "It's
Fun...But It Takes Courage: Remembering Frank Capra's America"
-- Annalee
Newitz, Bad Subjects
- "The
Charm of Morality: Frank Capra and his Cinema," --
Lorraine Mortimer, Continuum:
The Australian Journal of Media & Culture
- "A
Capra Moment" -- Stanley Cavell, Humanities
- Elizabeth's
Frank Capra page -- good poster site
- "More Sinned Against
than Sinning: The Fabrications of 'Pre-Code Cinema'" -- Richard Maltby, Senses of Cinema
- Home of
the Screwball -- Lisa Jensen, Katie Hamlin, and Dave
Henning, U. of Virginia
- Screwball
Comedy page -- Michael Mills
Week Thirteen -- Nov 16 and 18:
"From Screwball Comedy to Representing Reality and Animating Fantasy: The Rise of Documentary and Animated Films"
Film:
*** Th Nov 18: Quiz # 11
Readings:
- T&B:
- Chapter 12: "Cinema and the State: The U.S.S.R., Germany, and Italy, 1930-1945," pp. 239-259.
- Chapter 14: "Leftist, Documentary, and Experimental Cinemas, 1930-1945," pp. 277-295.
- Susan Sontag, "Fascinating Fascism" -- New York Review of Books (1975)
Background Readings:
- Documentary Films -- Wikipedia
- Documentary Films -- Tim Dirks, Greatest Films
- Documentary -- Ian Aitken, ScreenOnline
- New Frontiers in American Documentary Film -- Nicole Huffman, American Studies Program, U. of Virginia
- Triumph of the Will -- Wikipedia
- notes on Triumph of the Will -- Diane Christian and Bruce Jackson, The Buffalo Film Seminars
- Triumph of the Will -- Roger Ebert, Chicago Sun Times
- Leni Riefenstahl -- Wikipedia
- Leni Riefenstahl -- Louise Heck-Rabi and Rob Edelman, Film Reference.com
- Leni Riefenstahl -- The German-Hollywood Connection
- "Leni Riefenstahl: Filmmaker Extraordinaire or Nazi Stooge?" -- Judith Keene, National Centre for History Education (Australia)
- "Leni Riefenstahl: Propagandist for the Third Reich" -- Stefan Steinberg, World Socialist Web Site
- "To What Extent Are the Labels of 'Propaganda' and 'Art' Appropriate in the Description of Leni Riefenstahl's Triumph of the Will?" -- Edmund Butcher, U. of Manchester (U. K.)
- Robert Flaherty -- Annette Kuhn, ScreenOnline
- Robert Flaherty -- Deane Williams, Senses of Cinema
- Robert Flaherty -- William T. Murphy, Film Reference.com
- Pare Lorentz -- Jack C. Ellis, Film Reference.com
- John Grierson -- Leo Enticknap, ScreenOnline
- John Grierson -- Jack C. Ellis, Film Refeence.com
- Humphrey Jennings -- Julian Petley, ScreenOnline
- Humphrey Jennings -- Jack C. Ellis, Film Reference.com
- Joris Ivens -- Ian Mundell, Senses of Cinema
- Joris Ivens -- Dorothee Verdaasdonk, Film Reference.com
- "In Praise of Immoral Art" -- Dan Jacobson, College of Charleston [Philosophical Topics, 1997] -- pdf file
- Documentary and Ethnographic Film: A Bibliography of Books and Articles in the UC Berkeley Libraries
- Animated Films -- Tim Dirks, Filmsite.com
- History of Animation -- Wikipedia
- Animation -- Paul Wells, Film Reference.com
- Cartoons -- Paul Wells, Film Reference.com
- Max Fleischer -- Wikipedia
- Fleischer Studios -- Wikipedia
- Walt Disney -- Rob Edelman, Film Reference.com
- Walt Disney Company -- Janet Wasko, Film Reference.com
- Steamboat Willie -- Linda J. Obalil, Film Reference.com
- The Golden Age of Animation -- TVTropes.com
Week Fourteen -- Nov 23 and 25:
No Class: Thanksgiving Break
Week Fifteen -- Nov 30 and Dec 2:
"Genre, Auteurism, and the
American Studio System, Part IV:
John Ford and the American (Western) Dream"
Film:
Readings:
- Belton:
- "The Making of the West,"
pp. 248-278.
- John
Ford -- Richard Franklin, Senses of Cinema
- John Ford -- John Baxter, Film Reference.com
Background Readings:
- "Ford Til '47" -- Tag Gallagher, Senses of Cinema
- John Ford -- Wikipedia
- John Ford -- They Shoot Pictures, Don't They?
- Stagecoach
-- Tim Dirks, Greatest Films
- Stagecoach -- Wikipedia
- "John Ford's 'Stagecoach' Made the Then-Unknown John Wayne Into an Overnight Star" -- Robert Moore, PopMatters
- Stagecoach -- TV Guide
- John Wayne -- Robin Wood and John McCarty, Film Reference.com
- "Western Films" -- Tim Dirks, Greatest Films
- The
Grapes of Wrath -- Roger Ebert, Chicago Sun-Times
- The
Grapes
of Wrath -- Tim Dirks, Greatest Films
- The Grapes of Wrath -- John Baxter, Film Reference.com
- The Grapes of Wrath -- A. S. Hamrah, Undercurrent: Special Issue on John Ford
- The
Grapes of Wrath -- Catherine Lavender, The College of Staten Island of The City University of New York
- The Grapes of Wrath -- English and American Studies Dept., U of Vienna, Austria
- The Grapes of Wrath -- Wikipedia
- Henry Fonda -- Philip Kemp and Rob Edelman, Film Reference.com
- John
Ford: A Bibliography of Materials in the UC Berkeley Library
Week Sixteen -- Dec 7 and 9:
"Challenging the
Hollywood System: Welles's Citizen Kane"
Film:
- Th Dec 9: Review; Evaluations
- Friday
Dec 10: Turn in Essay # 2 Room 307 of Jackson Hall
before 2:00 pm if you would like your essay returned at the final exam;
otherwise you may turn in your final essay AT the final exam and pick it up at the beginning of the next semester
Readings:
Background Readings:
Final Exam -- in Jackson Hall 304