The Control Room of Reality: Don't forget the popcorn
The movie The Truman Show is thought-provoking to the audience that views it because they start to realize that they are exhibiting god-like aspirations simply by watching Truman and his struggle without his knowledge. In the film and television industry the real gods are not simply the directors and producers but the audiences that pay for the entertainment, that buy the merchandise, that keep a franchise alive. Without consumers there would be no reason for a movie such as The Truman Show to be made and no possible way that it would be able to get across the point that it does. This is why the movie appeals to the audience’s sense of privacy and causes a disorientation when viewing the movie; many people watch it and are thankful that they are not as unfortunate as Truman, and then wonder if that is true at all. They also slowly realize as the story continues that they are part of the problem, so to speak. Shots of the audience in the movie world are interspersed with the events of Truman’s life, but also other things that cause the real audience in the movie theater to interact with the story itself. They are spoken to as though The Truman Show is a real television show and they are watching it at home, everyday. They begin by feeling privileged that they can partake in such private aspects of a person’s life without him knowing about it. Then they become nervous - they start to think that it is possible this could happen, could be happening to them at that very moment, paranoia sets in. Once the audience begins to feel discomfort and disorientation at that fact they stop being amazed at Christof’s creation and begin to sympathize with Truman and Sylvia who so desperately tries to defend him. Soon the audience is rooting for Truman’s escape and violently against Christof and all that he controls. As the virtual world of Seahaven slowly crumbles and Christof is thrown from his god-like perch the audience cheers at Truman’s final goodbye. This reaction is mimicked by the virtual audience on screen and shows that even if one person tries to outwit the others and raise himself above the rest that the others will soon temper him and return the world back to its natural equilibrium. The audience realizes that what they once supported was wrong and that Christof never really was completely in control; Truman says, “You never had a camera in my head!” Even though it is natural for humanity to crave power it is also in its natural instincts to realize what is the right thing to do and side with the conscience. Life goes on and as one devoted Truman-watcher/parking attendant says at the fall of Christof’s empire, “What else is on? Where’s the TV guide?
Ground Control





Christof as God





Seahaven as Eden





Who's yo daddy?



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